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GilFeMa+2 – All Music by Michael G. Nastos

http://www.allmusic.com/album/gilfema-2-r1433844/review Gilfema + 2 Gilfema Review by Michael G. Nastos Gilfema‘s follow-up to their excellent debut CD adds clarinetists Anat Cohen and John Ellis to the fray, expanding the sound of lead instruments on top of guitarist Lionel Loueke‘s personalized concept. Where their initial recording (and Loueke‘s trio that also includes extraordinary bassist Massimo Biolcati and equally talented

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GilFeMa+2 review by Big Geez

Author: Big Geez — Published: Nov 09, 2008 at 11:55 am  Read more: http://blogcritics.org/music/article/music-review-gilfema-gilfema-2/#ixzz1fnKnzPCo Another intriguing release from the ObliqSound label (previously reviewed: Sira) is now available, and it’s once again a fascinating foray into international jazz. Gilfema, a talented trio that some will remember from their self-titled 2004 debut album, has now produced Gilfema + 2,

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GilFeMa+2 – Jamati review by Shirlene Alusa-Brown

Lionel Loueke – Gilfema+2 http://www.jamati.com/online/music/lionel-loueke-gilfema2/ Written by Shirlene Alusa-Brown | Posted Wednesday, September 24, 2008 Benin musician, Lionel Loueke, has teamed up with Hungarian drummer, Ferenc Nemeth, and Swedish-Italian bassist, Massimo Biolcati, to produce an album that explores a range of jazz expression that includes the syncopated rhythms of Africa with

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Night Songs – All About Jazz by Terrell Kent Holmes

Another great review of my album “Night Songs” by TERRELL KENT HOLMES http://www.allaboutjazz.com/php/article.php?id=27320 Ferenc Nemeth: Night Songs (2007)   By TERRELL KENT HOLMES, Published: November 8, 2007 It might surprise that Hungarian-born drummer Ferenc Nemeth makes his debut as a leader with Night Songs. The sophistication and self-assurance of his composing and

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Night Songs – JazzTimes by Forrest Dylan Bryant

SEPTEMBER 2007 Ferenc Nemeth Sextet Night Songs Dreamers Collective By Forrest Dylan Bryant A strain of melancholy longing runs through drummer Ferenc Nemeth’s dreamlike debut as a leader, as delicately layered melodies billow and merge in overlapping waves. Nemeth’s rolling cadences provide direction, while the twin saxophones of Chris Cheek and

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