{"id":326,"date":"2009-01-07T21:30:31","date_gmt":"2009-01-07T21:30:31","guid":{"rendered":"http:\/\/www.ferencnemeth.com\/music\/?p=326"},"modified":"2011-12-10T01:42:20","modified_gmt":"2011-12-10T01:42:20","slug":"gilfema2-boston-phoenix-by-jon-garelick","status":"publish","type":"post","link":"https:\/\/www.ferencnemeth.com\/music\/2009\/01\/07\/gilfema2-boston-phoenix-by-jon-garelick\/","title":{"rendered":"GilFeMa+2 &#8211; Boston Phoenix by Jon Garelick"},"content":{"rendered":"<div>\n<h1><a href=\"http:\/\/thephoenix.com\/boston\/music\/74637-gilfema-2\/\">http:\/\/thephoenix.com\/boston\/music\/74637-gilfema-2\/<\/a><\/h1>\n<h1><a href=\"http:\/\/thephoenix.com\/Boston\/music\/74637-gilfema-2\/\">Review: Gilfema + 2<\/a><\/h1>\n<div id=\"hreview-summary\">ObliqSound (2009)<\/div>\n<p>By\u00a0<a href=\"http:\/\/thephoenix.com\/Authors\/JON-GARELICK\/\"><strong>JON GARELICK<\/strong><\/a>\u00a0\u00a0|\u00a0January 6, 2009<\/p>\n<\/div>\n<div>\n<div>\n<table width=\"1%\" cellpadding=\"5\" align=\"right\">\n<tbody>\n<tr>\n<td><img decoding=\"async\" title=\"090108_gilfema_main\" src=\"http:\/\/cache.thephoenix.com\/secure\/uploadedImages\/The_Phoenix\/Music\/CD_Review\/Gilfema.jpg\" alt=\"090108_gilfema_main\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>With rising jazz-guitar star Lionel Loueke in the mix, Gilfema are shaping up to be a jazz supergroup. On their second disc, you can hear why: just about every piece is drawn with the clear outlines of simple folkloric melodies (often sung wordlessly by the Benin-born Loueke) and dancelike rhythms. Yet within those outlines they build dense weaves of contrapuntal lines and driving cross-rhythms. The &#8220;+ 2&#8221; in this case are the B-flat clarinet of Anat Cohen and the bass clarinet of former Charlie Hunter Trio reedman John Ellis, both providing dark-hued ensemble color and provocative solos. The opener, &#8220;Twins,&#8221; is emblematic: soft acoustic strumming and brushes introduce a light African-flavored melody with responding clarinet riffs. The form builds with each repetition, Loueke&#8217;s tone shifting to a more electric-jazz bite, his steel-drum-like chorusing effect, and finally some whiplash &#8220;out&#8221; harmonies amid the collective din. Loueke, bassist Massimo Biolcati, and drummer Ferenc Nemeth all contribute compositions, and the result is more than jazzy Afropop (Biolcati&#8217;s &#8220;One Mind&#8217;s Eye&#8221; is like a mini concerto for two clarinets) \u2014 a durable, varied, distinct ensemble identity.<\/p>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/thephoenix.com\/boston\/music\/74637-gilfema-2\/ Review: Gilfema + 2 ObliqSound (2009) By\u00a0JON GARELICK\u00a0\u00a0|\u00a0January 6, 2009 With rising jazz-guitar star Lionel Loueke in the mix, Gilfema are shaping up to be a jazz supergroup. On their second disc, you can hear why: just about every piece is drawn with the clear outlines of simple folkloric<\/p>\n<p><span class=\"more-link\"><a href=\"https:\/\/www.ferencnemeth.com\/music\/2009\/01\/07\/gilfema2-boston-phoenix-by-jon-garelick\/\" class=\"readmore\">Continue reading<span class=\"screen-reader-text\">GilFeMa+2 &#8211; Boston Phoenix by Jon Garelick<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4],"tags":[],"class_list":["post-326","post","type-post","status-publish","format-gallery","hentry","category-press","post_format-post-format-gallery"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.ferencnemeth.com\/music\/wp-json\/wp\/v2\/posts\/326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ferencnemeth.com\/music\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ferencnemeth.com\/music\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ferencnemeth.com\/music\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ferencnemeth.com\/music\/wp-json\/wp\/v2\/comments?post=326"}],"version-history":[{"count":5,"href":"https:\/\/www.ferencnemeth.com\/music\/wp-json\/wp\/v2\/posts\/326\/revisions"}],"predecessor-version":[{"id":330,"href":"https:\/\/www.ferencnemeth.com\/music\/wp-json\/wp\/v2\/posts\/326\/revisions\/330"}],"wp:attachment":[{"href":"https:\/\/www.ferencnemeth.com\/music\/wp-json\/wp\/v2\/media?parent=326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ferencnemeth.com\/music\/wp-json\/wp\/v2\/categories?post=326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ferencnemeth.com\/music\/wp-json\/wp\/v2\/tags?post=326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}